B.P. Portrait Award – “Heterochrome”
So Fraser is a good friend of mine whom for most of that friendship has been willing to sit for me for quite a few paintings & my myriad reasons for wanting to paint him. Chief of those reasons is
B.P. Portrait Award – “Heterochrome”
So Fraser is a good friend of mine whom for most of that friendship has been willing to sit for me for quite a few paintings & my myriad reasons for wanting to paint him. Chief of those reasons is
Samantha
So at work one day a drawing was brought in for framing which reeked of a quality rarely seen in my not-exactly-London city. It turned out to be a drawing by Travis Seymour and was exquisitely rendered in that unmistakeable
Samantha
So at work one day a drawing was brought in for framing which reeked of a quality rarely seen in my not-exactly-London city. It turned out to be a drawing by Travis Seymour and was exquisitely rendered in that unmistakeable
l’Aquarelle
l’Aquarelle - Oil on Panel, 230mm x 180mm ———————- The rather fun little watercolour in this oil painting was of a “Burning Embers” Begonia which was covered in loads of the most vibrantly orange flowers I’d ever seen and which,
l’Aquarelle
l’Aquarelle - Oil on Panel, 230mm x 180mm ———————- The rather fun little watercolour in this oil painting was of a “Burning Embers” Begonia which was covered in loads of the most vibrantly orange flowers I’d ever seen and which,
Back to the Blue House
Back to the Blue House - Oil on Panel, 8″ x 9″ ———————- This is one of the seventeen oils from my half of “Project Cathedral” - the exhibition in Lincoln Cathedral which Fraser & I put on this year (click to embiggen!) The polaroid shows the
Back to the Blue House
Back to the Blue House - Oil on Panel, 8″ x 9″ ———————- This is one of the seventeen oils from my half of “Project Cathedral” - the exhibition in Lincoln Cathedral which Fraser & I put on this year (click to embiggen!) The polaroid shows the
Day Dreaming
I managed to steal a friend’s lovely 50mm f1.8 Super Takumar lens for the duration of Fraser‘s and my exhibition this year, and so naturally spent much of the time we were invigilating the show pointing it at him: Not
Day Dreaming
I managed to steal a friend’s lovely 50mm f1.8 Super Takumar lens for the duration of Fraser‘s and my exhibition this year, and so naturally spent much of the time we were invigilating the show pointing it at him: Not
Joseph Ruston (Miniature!)
This portrait of Joseph Ruston is a detail from a much larger Project: Cathedral painting, exhibited earlier this year in Lincoln Cathedral. His links to Lincolnshire are many but the more obscure one which prompted his inclusion in one of my paintings
Joseph Ruston (Miniature!)
This portrait of Joseph Ruston is a detail from a much larger Project: Cathedral painting, exhibited earlier this year in Lincoln Cathedral. His links to Lincolnshire are many but the more obscure one which prompted his inclusion in one of my paintings
Palette Porn
I use a glass palette ala Richard Schmid and his many epigones, which has the benefits of being able to have a specific colour underneath it (in my case a neutral grey) and cleaning up really easily with just a knife
Palette Porn
I use a glass palette ala Richard Schmid and his many epigones, which has the benefits of being able to have a specific colour underneath it (in my case a neutral grey) and cleaning up really easily with just a knife
